41 posts categorized "growing up"

of cattle or of gods.

monday afternoon, ian and i went to autozone on college dr. to deal with my crap-ass car battery (thanks for the jump, stosh...). while the friendly autozone people were charging my battery, ian and i walked down to taco hell to get some dinner. ian, who has finally heard back from the Navy, said that sometimes, when  he thinks about going through the officer training program, he gets all excited--and sometimes the thought absolutely terrifies him. i asked him which it was at that moment--he said he was excited--and i said that was good.

then we started talking about the future in general--and what's in store for us. theoretically: after ian graduates, he's going to be travelling all over the world doing Navy stuff. and i'm going to be somewhere far away starting my real life, too. and it's entirely possible that i will never see him again. we talked about this very matter-of-factly--because it is a matter of fact. it's weird to think about.

the thing is, i grew up in new orleans, attended grammar school and part of high school there, went to an in-state boarding school, and then went to the state university. at LSU i am surrounded by everyone i have ever known. LSU has an enrollment, all told, of about 30,000 people. i am one out of 30,000. this should make me feel very small and insignificant and random and unknown. then how is it that i can't walk more than thirty feet on this campus without running into a friend?

i did the math one day--a rough estimate of how many people i've met over the course of my life that are currently at LSU: six cousins, the kids that went to st. catherine's, the kids that went to mt. carmel, the kids that went to lsmsa, the kids that went to ADVANCE, the kids that i've met doing theatre and ballet--i probably know about 1,000 people at LSU. 1,000 out of 30,000. that's 1 out of 30. every 30 people i pass in front of the Union--i know 1. i mean, it doesn't work out quite like that--but it feels about right.

when i graduated from high school i wanted more than anything to go out of state for undergrad. it didn't work out. i was pissed. but then i spent that summer, the summer of '01, in NYC dancing at the ailey school. and even though i went up to new york with one of my very close friends, i still felt as though i were absolutely alone. he felt that way, too. we were both pretty depressed. i dealt with my depression by holing up in my room and reading compulsively for the entire first month i was there. (my body was also in shock, so i didn't really have the energy to go out, but anyway.) michael dealt with his depression by buying phone cards and calling everyone he'd ever met. i ended up having a great time in new york, but by the time i got home, i was so grateful that i was going to school in baton rouge, surrounded by my friends, and only an hour away from my family.

in a year and a half, all of that is going to change. we're all going to scatter. some of us will get married and start families and put down roots in other states or other countries. there's not going to be any anchoring force drawing us back home, together. which means, in some sense, that we're all facing the world, and the rest of our lives, relatively alone. at least, the most alone that we've been since we were born.

i try to imagine what my life will be like--and i have vague plans, like: get an MFA. maybe a PhD. teach high school English for a while, teach at a university eventually, write a book or a play or something...or something...get married...have kids? i don't know. i don't know where i want to live. i don't know who i'm going to marry. i don't even know what genre i want to study in grad school. i try to imagine my future but it's like staring into a dark blank space. i have no idea what the future holds. it's unfathomable. and the not knowing--it's a little bit terrifying.

but then... breton and i were talking the other night, about jason, and her future--she's leaving for France at the end of the summer, and who knows what will happen between them. and she said she knows that, if they had to separate, she would be okay without him--but then--who will go with her on spontaneous trips to San Francisco? who will make her play Frisbee in the sunshine? and i told her that she's smart to think of all the good things that jason brings into her life--but that she should remember she's going to meet all sorts of interesting people over the course of her life--and there are so many people to meet--and jason is not the only person who takes spontaneous road trips and lays in the grass and watches sunsets. my point was not that jason is replaceable--but that there's so much life lying ahead of us--i don't know.

that's just it, i guess. i don't know.

like ian said, sometimes it scares the shit out of me. but sometimes--i get all excited.

crap.

got in from natchitoches sunday afternoon. slept till 8:30pm, ben got off at 9:30, i think we went to the chimes to get dinner--i don't really remember. i was so damn tired. he slept over that night. drove into nola early monday for a doctor's appointment at my pediatrian's office--that's right, my pediatrician--at 10:45. i haven't really lived in new orleans since i was 15--so i never got a grown-up doctor there--and i was due for a tetanus shot, and my shots have to be up-to-date for prague--and my mom made the appointment. thus the trip to the pediatrician.

now, i'd gone to that office my whole life, and my mother is a nurse--she's an administrator now, actually, for the LPN board, but she used to practice--and there are four or five people from that office who know my family really well--have known us for a long time. and my mom tells me not to worry about paying for the shot--it'll be taken care of later, she's going to put it on her insurance, etc. okay. so monday morning we're running really late, and i'm trying not to act all stressed out, and we manage to get to the office exactly one minute early, and i sign in. the nurse who signs me in doesn't know me. and she informs me that i have an outstanding balance at that office. and she asks me if i can pay it. 120 dollars. and i'm so broke that i'm trying to figure out how i'm going to pay bills this month. and so i tell her, "well, no, i can't. but my mom is supposed to pay for it." and she asks me if i'm prepared to pay for today's visit. and i say, "well, no, my mom is supposed to pay for it." and she's like "ah, i see. well, can you get in touch with your mom?"--except that she says "mom" in quotation marks--like she doesn't really believe that i have a mom, or that she's going to pay for anything, or whatever. and i explain to her that my mom is in a board meeting so i could not, in fact, get in touch with her. and she says, "well, are you sick?" and i say no, i need a tetanus shot so i can go to prague on friday. and she tells me that if i were sick she couldn't refuse to let me see the doctor, but because it's not an emergency, i'm basically screwed. and she tells me i can reschedule, and i say "actually, i live in baton rouge, so no, i sort of can't" and she's like "oh, i see. well. i'm really sorry." and i know she is, and she's just doing her job, but i'm getting really upset--and i'm trying not to cry--but i go outside and cry anyway. which was ridiculous. because it was just a stupid tetanus shot. but i was so tired, and what a pain in the ass. literally.

so i call and leave a message on my mom's cell, and then i tell ben (crying, apologetically) what's going on, and he's like, "well, if you can't get one at the health center, i can get you an appointment in new roads with carol's doctor." carol being his stepmom. and he's like "let's get the fuck out of here" and he tells me to go cancel the appointment, and i go in there, and i'm trying to find someone to cancel the appointment for me, and i catch the eye of one of the old nurses, one who's known me forever, and she mouths "what do you need" and i say, "i need a tetanus shot and they won't give me one." and she says, "hang on," and she comes around to the front, and she asks me "did you talk to your mama" and i say "no, she's in a board meeting" and she says, "ok. i'll take care of it." and she goes to the back and then she comes back and says, "ok, have a seat." and i thank her profusely and sit down. and they call me in, and the doctor gives me a check-up and a shot. there's this cute-ish pre-med boy who's apparently interning at the office--the doctor explained that the guy was following him around all day, and would it be okay for him to observe the visit? and i was like, alright. but this is a pediatrician's office, and i think the guy wasn't expecting to see a chick his own age, and the doctor is doing his doctor thing, feeling me up and stuff, and the guy was like, cramming himself into the corner and averting his eyes. he looked so uncomfortable. it was hilarious.

so then me and ben meet my mom for lunch at this "neighborhood bistro" called sugar magnolia. and she informs me that she called the office and, in fact, she did not have an outstanding balance of 120 dollars. she had a 120 dollar credit. i'm just glad i found one of the nurses i knew, and that she gave me the hook-up. my arm is sore from the shot. and sugar magnolia is kind of a silly restaurant. it's pseudo-local pseudo-upscale. magazine street, white linen tablecloths, and they serve you complimentary cornbread in a small cast-iron skillet. give me a break.

i'd been really distracted and distant since i'd gotten back home--it always takes a long time to come home from natchitoches. both when i was a camper at ADVANCE and a student at LSMSA. this time it was especially bad--for all the usual reasons, but also because i suspect that this was my last summer in natchitoches. and so i was sort of saying goodbye to this eight-year chunk of my life. the most important, radically life-altering eight years. trying to remember what i was like when it started. my first summer in natchitoches. i was twelve. and i can't remember how it was. i was staring out the window on the way home--adam was driving--and i was staring at the trees and trying to remember--and the leaving felt as if i were leaving my twelve-year-old self behind.

so sunday night was weird and monday was weird too. and i was so tired. ben was like, c'mon, let's do something, and i just wanted to lie down and take a nap. and possibly cry some more. but finally around 5ish we went and sat at the lakefront--on the concrete steps going down into the water--and we watched the water and talked for a while--and the water was so calm, and i felt at home, finally. the lakefront is one of my childhood happy places. my grandmother's old house on friscoville in st. bernard is one--it's the happy place with my mom--and the lakefront is my happy place with my dad. and it was after that--after the lakefront--that i started feeling okay. i wonder if it's sort of like with batteries--it has to connect in certain specific points for the battery to work. and coming home is like that. i have to connect with certain specific people and places and things before i feel like everything is right. i saw my mom, i ate a decent meal, i hung out with ben, i sat by the water. and i became functional again.

we ate dinner at the basil leaf, this thai place on carrollton--i liked it better than sugar magnolia--and i apologized to ben for being so out of it. i tried to explain that it takes a while for me to come home in all my various bits and pieces. and he said "well, you didn't yell at me or anything" but he looked kind of hurt when he said it. and i said, "no, but i have been sort of scattered" and he said "yeah, so have i" which isn't exactly true, and even if it was, he'd have good reason to be. but i'll leave that for another day.

when we got in the car to drive to nola, i calculated out loud when i'd be leaving for prague--i've been saying that i had a week between ADVANCE and prague, and ben thought i meant a full seven days. but in the car on monday i did the math--i'm leaving on the first--and we did the math and decided that the first was a friday. and he freaked out a little bit.

so i was just reading the gambit weekly and i found some concert listing that informed me that the first is actually thursday. thirty days hath september april june. i'm an idiot. and that means i just have tomorrow. i'm not packed. i'm not even unpacked. what the hell.

on fear

THE TRAVEL LOG
(transposed and abridged)

July 10, 2004 / The Globe bookstore / 4pm

-- went to Kafka's grave today--at least, we tried to--but apparently he's buried in a Jewish cemetery--and it's the Sabbath--so it was closed. gates locked.

we took the tram all the way across town to get there--mostly kids from rikki's fiction workshop--there's this older woman named joyce, probably in her 50s--apparently she's afraid of everything--travelling and cities and foreign lands--god only knows why she came on this trip--she was complaining on the tram that she'd forgotten to take her Dramamine and it became this crisis--is joyce gonna make it--"only five more stops, joyce"--and all i can think is that i'm so glad i'm here and young and getting over it now--because i am afraid of everything--and if i don't push myself now--i'll end up crazy and neurotic and panic-stricken--paralyzed at fifty, and that would be sad.

-- which is why i came to Prague in the first place--it's been baby steps for me. NYC: big city, public transportation, total freedom/total responsibility, all alone. then London: abroad but not really, same basic cultural background, same language. France for three days: a culture that jealously guards its own. in London, there was literally a Starbucks on every corner. in Paris, there was none.

and i know my culture. i want someone else's. after London i wanted to spend time in a place that was completely foreign to me. the idea of it both attracts and repels me. i want to go to Budapest. but i'm afraid. i don't know the language, i won't know my way around--i know nothing about Hungary--but then, those are the very reasons i came here, to Prague--

but even here in Prague--it's a newly popular European tourist destination--and deservedly so--but i've been getting by with English and every place i've found in my Lonely Planet travel guide is decidedly Westernized--even "Americanized"--like right now. the Globe is a bookshop/bar/cafe. for ex-pats. it's an English language bookshop, and ok, what use would i have for a Czech bookstore--

but i've been on the hunt for a nice local coffee shop hang-out--a cozy one--which is proving hard to find. they're all new-looking and brightly lit, hard wooden chairs. this place is ideal: little round tables to write at in the bookshop section, a small loft space for used books, a smattering of cushy chairs covered in some plush maroon fabric--there's the cafe in back, noisier, music playing, more tables. but the cashier takes pounds and dollars along with crowns, and all the newspapers are in English. which is not what i was going for.

-- in our language class, the teacher--young, vibrant, enthusiastic--frequently has us close our workbooks and simply repeat after her. i find myself panicking in these moments, as she utters an unfamiliar word and we as a class are left to imitate the sounds--i know it's not exactly right, what i'm saying--maybe it's a "v," not a "b"--and what does it mean--and how is it spelled--what does it look like--i surreptitiously crack open my book and she scolds us for peeking. my heart has seized up in my chest. my stomach is in knots. i must look. i have to see.

i remember hearing when i was in grammar school about "visual learners," and it's only now occurring to me that i fall into that category. i've never considered myself a particularly "visual" person. but i have hazy memories of hating the listening sections on those standardized tests; my recall when i took exams was always related to the way my notes looked on the page. now, when people give me driving directions, i have to write it down. it's not that i necessarily have to refer to my notes when i'm driving. it's because, unless i write it, and see it written, it doesn't stick in my head. i worry that i don't deal well with "abstract" concepts--i hated biology on the cellular level--unless i can relate it to something concrete--

i don't know, maybe it has nothing to do with being a visual learner. i can remember conversations almost verbatim. and maybe i'm not part of some special category; maybe everyone is like me. but rikki laughed at me when i had that meltdown moment in the language class. and she tried to read her latest story to me last night, and i immediately groaned and grabbed it from her to read it for myself, thinking "i'm way too tired to try to listen to it"--it really takes a lot of effort for me.

-- so i was talking to this guy kelly while we were waiting for the tram to the graveyard--about MFA programs and whether or not to wait, life experience, etc--

and i'm starting to realize that i can go one of two ways. i can go straight to grad school, straight to teaching, teach and write for the rest of my life--

or i can graduate from LSU, try to find a job doing something--maybe an internship with a video production company since i have editing experience--or a theatre company--hell, like laura said, i could join the fucking circus--i'd probably have to wait tables or bartend to pay the bills--take odd jobs--get experience--

because what else do i have to write about? it's not that i "don't think i have anything interesting to say" or that "nothing ever happens to me"--the writer's gift is that she takes the common experience and elevates it with her unique style of wordplay--her own voice, her own take on things. so to write i have to live. in the world. to be a part of the "common experience."

and if i go straight through school, and straight into academia, i won't be living in the world. i'll be cloistered. i'll be hiding. i've been having this sense that i want to go straight into grad school because i don't know what else i'd do. and for that to be my immediate reason--that's chickenshit.

so we're back to fear, again. which is how i live my life. out of fear. where did this come from? my mother's pragmatic paranoia, my father's racism--they cultivated it carefully in me: the oldest, the only girl, over-disciplined, over-sensitive, over-achiever. my directors in high school--dance and theatre--told me that i was playing it too safe--that i had to "find the fire within"--i hated it, and hated realizing that they were right--how strictly i operate within my comfort zone--where i feel safe--it's hard for me to give up control, my careful plans. it frightens me.

but i'm starting to think that it may be the only way.

deconstruction

our internet had been down for about 36 hours. reid said, "man, there's nothing to do. the internet's out, we don't have cable--" and i was like "oh god, we might have to actually talk to each other."

so rikki and i skipped ballet and we all made dinner and ate together and cleaned up together and watched Family Guy on DVD and played with the cat. it was really nice. this morning the internet was still down, and i called cox and figured out how to fix it. but i was almost reluctant to do it. it's nice sometimes when we all emerge from our internet holes and, you know, communicate in reality.

our little house is becoming a home. it's got a nice vibe. fred is really happy here, i think. he's got more room to play, and three people who dote on him constantly.

on that note: i'm taking an independent study on creative non-fiction with jim, and my first essay assignment was on location and description and how style reflects attitude. i wrote two essays because the first one didn't come out quite like i think jim expected. i told becca about the essays and she said i should post them. they're first drafts, and they're written a little differently than i write my posts, because they're aimed at a different audience. but anyway. here's the first one.

------------------

Becca came over at one-thirty this afternoon to help me set up for my Labor Day Pickanick Party. She started cutting up strawberries for fruit salad while I unearthed the cleaning supplies to ready the house for company. But first—

I inserted a CD into the living room stereo and turned the volume up: the Indigo Girls: Retrospective. “In honor of the Fortress,” I told her.

The Fortress of Women—or “The Fortress” for short—was the name bequeathed to my first college apartment. There were four of us living in a three bed/three bath at the Tiger Plaza apartment complex: Becca, Breton, Elizabeth, and me. The other three girls were a year behind me; we’d gone to high school together at a boarding school for academically and artistically gifted juniors and seniors, where we’d paradoxically absorbed both the fine art of cynicism and all the words to the Indigo Girls’ “Closer to Fine.” I’d spent my first year of college in the honors dorm, which brought my sum total to three consecutive years of dorm living. The Tiger Plaza apartment meant, finally, my own room, a full-sized fridge, and a shower that didn’t necessitate flip-flops. I was satisfied—even despite the fact that we lived directly behind a bar that featured shitty and excruciatingly loud live music on its open patio four nights of the week. I didn’t even mind the dumpster view from our “backyard”; at least it meant shorter walks taking out the trash.

The apartment was full: of clutter, of drama, of people. All four of us had significant others who were spending the night more often than not. You were never alone in that apartment, but you were never lonely. I think it was the night we decided to decorate the Christmas tree. We got drunk on red and green sour apple martinis, courtesy of Elizabeth’s boyfriend Travis, who was the only one of us old enough to buy liquor, while Becca’s girlfriend Anna broiled a rich buttery steak she picked up on sale at Winn-Dixie. As my roommates and I played Bing Crosby Christmas records and strung up stolen restaurant forks on the tree, my boyfriend Jesse turned to Travis and slurred: “This apartment—it’s like a fortress. Of women. And not every guy is privy to the secrets of the Fortress. Only the select few are allowed to enter.”

To which Travis responded: “Yeahhh. It’s a fortress. A Fortress of Women.”

When the lease on the Tiger Plaza apartment ran out, the Fortress split up: Becca and Elizabeth took an apartment on State Street, and Breton and I moved to a townhouse a block away from our old place. The living room furniture moved with us. I unpacked and re-shelved the boxes of books and CDs and VHS tapes. I arranged the kitschy knickknacks on my desk exactly as I’d had them before. The pictures I put up on the wall next to the desk still had tape on them from the last apartment.

The stereo in our living room had a three-disk changer, with the Indigo Girls’ Retrospective always on rotation. Any major cleaning operation—mopping the floor, washing a giant load of dishes, preparing the apartment for a party—required the Indigo Girls’ musical accompaniment. We sang along, in harmony, at the top of our lungs: “Ghost,” “Watershed,” and of course, “Closer to Fine.”

Breton and I swore we were never moving, ever again. We liked our apartment and we were staying put. But Breton is a French major, and she decided to spend her junior year abroad, so when our lease ran out at the end of the summer she went off to Paris and I moved to my current house, a three bedroom I share with a writing buddy and her little brother. Elizabeth likewise transferred to an art school in Boston, and Becca has a new roommate at her old place. The Fortress has been effectively dismantled; but somehow, the more things change—

I realized as I packed up my apartment and transferred it, box by box, to the new house, that I have moved once a year for the past six years. By now I’ve got it down to a science: the order of my bookcase, the arrangement of trinkets and bottles on my dresser, the box in the back of my closet containing crap I’ve accumulated over these past six years which I have no place for but can’t get rid of. Jesse, now my ex-boyfriend, recently moved into a new apartment. He has arranged his living room and bedroom furniture exactly as he had it in the old apartment, which makes his new place seem familiar, but in an uncanny sort of way. I get the same eerie sense from my own bedroom, which structurally looks nothing like either of the bedrooms from the other two apartments, but is still filled with my stuff; thus my new bedroom resembles my other rooms in that they have all been my rooms.

You leave home in stages. You are fifteen and your mother buys you a new comforter and a new set of sheets for your dorm room, so that when you’re in town for the weekends your bed is still the same. But the walls of your bedroom are different, they look war-torn and hastily abandoned, with pieces of leftover masking tape still marking the places where your favorite posters used to hang. The posters have moved with you. The posters are what make the dorm room feel like—

The first time you refer to the dormitory as “home,” it is the middle of your junior year, you are walking with your roommate across the parking lot, and as soon as the word inadvertently leaves your lips you cover your mouth with your hand. You and your roommate exchange a guilty horrified look. Your mother would cry.

But eventually you give in. And the closets of your childhood bedroom slowly fill with your mother’s dress clothes. And, when your grandmother dies, the spare furniture. The day you realize that your bedroom has been relegated to household storage is the day you realize that home has become the place you visit.

That realization has left me with a sense of rootlessness and questions about the difference between house and home. I’ve had six rooms in six years, all of which I’ve briefly considered my “home.” Physical space and structure have become interchangeable, and have thus been rendered somewhat irrelevant. Location has become the variable in my life. So what is the constant?

Well, there’s the accumulated crap. That seems to follow me pretty effectively wherever I go. But there’s also Becca, and standing in the kitchen preparing for a party, with the Indigo Girls blaring, with Breton and Paris in the back of my mind. There’s Jesse stopping by the new house to say hello, and Travis, Elizabeth’s ex, coming late to the party after work, followed by Anna’s new girlfriend Mary. My circle of high school friends has extended and unfolded and enveloped this complex community that, on the good days, feels like a family, and on the bad days, feels like a long and semi-incestuous string of exes. On the bad days I wish I could get the hell out of this town, cut all ties, meet new people. On the good days I remember with satisfaction that these ties and these people are what make this town my home.

turn, turn, turn.

so i'm bored and experimenting. approve or disapprove?

also. the second essay. sort-of essay.

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Your dad has his home office in the large corner room. At night he sits at the big oak desk and you lie face-down on the brown shag carpet, breathing in. The carpet smells musty and sweet. The desk is the same color as the carpet but a little less gold and a little more red. On the desk are: a mail holder that commands, in fake-gold letters, DO IT NOW. Business cards that say Steven G_____ and Guste Barnett & Shushan and One Shell Square. A paperclip container made of dark smoky plastic. The top of the container is black plastic with a hole in the middle lined with magnets. You like to dump out all the paperclips, silvery and small, onto the gold-brown shag carpet, then try to slip the paperclips back into the container, one by one, without letting them get sucked onto the magnetic sides. Sometimes your dad sits you on his lap and lets you write stories on his electric typewriter. The typewriter is black and the keys feel solid underneath your fingertips. You write the stories and he reads them back to you:

Once upon a time I went to Grandmotherdear’s house. We played pick-up sticks and solitaire and concentration. Lulu and Nutmeg ran around outside and made gold dollars.
You stop him and request that he read what it really says. He reads: “akdjaklaj fijoa kjf f 9 8akldjfkladj jdfOIUW#Oru9u oshf adfiojaweoiur 3w.”

You laugh until you are breathless.

When your brother is born, the big oak desk moves to the living room. Every room in the house has either tile floors or that brown shag carpet, except for the living room, which has blue carpet and blue curtains and is therefore known as the blue room. The big oak desk sidles up against the floor-length curtains adorning the French door, which is not a door at all but a window that doesn’t even open. The desk is broad, with its desktop surface extending two feet beyond its sides, like wings. Underneath where the edge of the desktop meets the blue-curtained French door, you find a space enclosed on two sides, with a roof. The desk is high enough, and you are small enough, so that you can sit comfortably without bumping your head on the underside. You get nice light from the door-window. You can hide things behind the curtains. This is your fortress. This is your office. You move in.

Your Archie comic books are safe here, tucked away from the grubby grasp of your brother. You spend hours sketching in the gauzy filtered light: pointe shoes, ballgowns, a dancer poised in perfect arabesque. You write a novel detailing the misadventures of you and your friends, who have started a club of superhero ballerinas called the Nature Fairies. When your cousin spends the night, you sit together in your office, whispering secrets back and forth till midnight. She sleeps under one side of the desk, you sleep under the other. It is dark and the wood is silent.

When your parents divorce, the desk moves to Mississippi. So does the kitchen table. There’s an extra table in the blue room, but it’s too bulky for the kitchen. (You’d tried sitting under the blue room table once, just to see, but it wasn’t as good.) You get a new-old kitchen table from your aunt. It seats four, but it is round instead of rectangular, and it looks wrong in your kitchen. One day you come home from school to find that your mom has folded down one of the leaves of the table and pushed it up against the wall. Three chairs. You turn on her. “Do you have to rub it in?” you ask.

“You’ll get used to it,” she says mildly, as if it doesn’t hurt her as much as it hurts you. As if she did it for your own good. But you know she did it for herself. This is a reality and an absence unrecognizable in the abstract. One must rely on one’s furniture to provide the concrete terms.

happy birthday to me.

First journal entry, October 19, 1995

Dear Ann,

In case you were wondering, this is the year you thought of writing a letter to yourself for every birthday. This year you are twelve. Let me fill you in on wuzzup.

[Here I listed my closest friends and labeled them as "best," "good," "nice," and "pain in the butt!"]
At this point in time, I have a crush on Joel C. (Meghan's boyfriend) and Shelby H. (who thinks Meghan's a babe).

Do you remember the fair? Well, Shelby had some talks with me, Claudia's money got stolen/found, and Joel called Claudia an Indian and I sprayed him with a whole can of silly string. I have highest average in Social Studies and it's 104. I hate the computer teachers and Meghan's initials are M.B.B. when I'm PO'd at her. (Meghan Boobs Bitch.) The second "B" came from Claudia's D.J.B. (Delahoussay Junior B) and is only used when angry and is added behind the person's initals. I hate cursewords. I cursed Liz D. out in my sleep. I called her a jackass because it was 3 AM and she was going to open the door to see if the alarm was working. I hate Ryan S. Kyle S is cute. Andre T sucks. I love to sew. I'm Mrs. Winthrop-Dimple in Drama, Yardsale. I have to be carried around the stage! Do you remember any of this? I love Audrey Hepburn and the 40s, 50s, 60s, and 70s are in style. MCA rulz!

Love,
The new 12 year old,
AEDG

P.S. I wear a size 2 1/2 K-Swiss Canvas Classic

-----------------------------------------------------------

Saturday, October 19, 1996

Dear Ann,

Happy birthday, teenager! Yesterday, I went over to Lauren D's, with her friends (Hollie, Anna, Ashley, Molly, Angela, CBG) for a little get-together. When originally invited, I didn't want to show, but Mom said LD had something fun planned. I couldn't imagine what, since it was 10pm. Turned out it was a surprise party--for me!!! I've always wanted a surprise party! WOW! I was about to cry!

From Lauren: Kermit the frog
From Angela: two sets of great pens
From Ashley: stationary
From Hollie: Angel journal and body gel
From CBG: An Angel a Day and No Doubt
From Molly: 2 ugly barrettes
From Anna: an awesome candle
Today, we celebrated in the cafeteria. Mom bought Dad, Michael, Haley, Amanda, Claudia, and me chocolate chip cookies (mmm!) and bought a cupcake, on which she put 14 candles (1 for good luck!!) The cupcake was not edible because it was covered in wax! I got a computer game (Hollywood High), a boombox, a necklace and stuffed animal, tickets to West Side Story, a backpack purse, and $15 from Grand....dear and Uncle David and co. The fair sucks because I don't know why! There aren't any go-carts. Shelby and Lindsey B are going to Jesuit homecoming. Andy W and Ashley Q are going to Homecoming, too. Andy says Ben G would go with me, but I said no because my parents wouldn't let me. Anyway, if he wants me to go with him, let him ask me!!! Claudia wanted me to get Casey G to come closer so she could squirt him, but he wouldn't. I said "Claudia wants to show you something" and Claudia got so mad she squirted me in my crotch so it would look like I peed on myself.

Haley, Claudia, and Amanda are close friends. Meghan and I are acquaintances and I'm way over it. Haley's going through that with Lizzie. Poor dahlin'. Ashleigh G's grandpa died today. It is Mrs. Debbie's 5 year old daughter Morgan's bday, and Uncle Danny and co's wedding anniversary. I think that's about it. Oh yeah. Of course, I still have a crush on S.H. I wear a size 3 black and white Gap shoe that looks like Airwalks. Their awesome!!!

--Ann
The teenager!!!

P.S. From Mrs. D, I got a heart-shaped rag rug. Yesterday Hollie was making fair announcements on the stage, and said "Even though it's a day early, Happy 13th birthday to Ann!"

-------------------------------------------------------------------

Tuesday, October 19, 2004

Dear Ann,

In case you were wondering, this was the year you started keeping an online journal (or "blog," if you must), because you'd been wanting to write every day, as a good writer should, and you'd been saying you were going to keep a journal. You hadn't kept a regular journal since you were in junior high. And you remembered how good it felt to get it all out, writing only when you felt like it, which was often, in the little cloth-covered notebook--dark green with yellow flowers--the lined paper--and the spine of the book like a real book, solid instead of spiral bound. You'd asked for that journal for your twelfth birthday, and you were so excited when you got it that you wrote in in that first night. A birthday letter to yourself. Which was so sentimental of you, in all the usual ways that you were sentimental. And still are.

So now you're twenty-one. You've been waiting for this for three years, since you started drinking, really, because it's such a pain in the ass to have to depend on other people to get your alcohol. Now you can order your own drinks, no hassle. Although you've done that already, legally, in London and Prague. And this birthday is about more than alcohol, isn't it? Well, isn't it?

No, not really.

So what all-consuming things are going on in my life right now that I think you'll want to (or ought to) know about when you read this down the line?

I'm single. Quite single, in fact. More single than I've been in about four years. For the first time in four years I have no prospects. Not a one. I can't think of anyone I know that I could seriously consider dating. It's sort of a terrifying and deadening feeling. I live to have crushes. It's something to look forward to. It gets me out of bed in the morning. I've been like this since I was a kid, since junior high and before. At first I thought everyone was like that, and then I thought maybe I was weird and pathetic, and then I read in the Kiersey book on personality that my type (Idealist: Counselor: INFJ) lives to be in love, etc. So apparently I'm normal. Or semi-normal, at least. Anyway, I don't suppose I'm all that interested in being in a solemn monogamous relationship right now. However, I would like to be really excited about someone, and I'm not, and that's been getting me down.

I'm graduating in May. This is, I suppose, the big one. I have no real plans post-graduation. I want to get my MFA, but I don't know where, or in what genre, and my portfolio isn't ready yet. So I can't apply for the upcoming school year. That means I have to get a job for at least a year. I'm considering doing Teach for America, but that seems like such a typically structured thing for me to get into. What I really want to do is go off and do something crazy and unstructured and figure out a way to survive. Because that's what I'm most scared of. And I want to prove to myself that I can make it on my own. The other thing I really want to do is stay in Baton Rouge for another year. Because I'm so comfortable here, and my friends will all be around for at least one more year, and I like my house, and my roommates, and I'm close to home, and I could get a stupid mindless job and just save money for later. Except then I'll be biding my time, which seems like a waste, a wasted opportunity. And also I fear that I'll become complacent. And then I'll never get out of here. And that's the number one goal. Get out of Louisiana. Not forever, but for a little while.

I sent off an email today to a video production company in Baton Rouge to see if they take interns.

I'm getting a camera from my dad for my birthday, a Canon ZR80, and I'm psyched. I have access to all this sweet editing equipment through work. I'm going to see if I can get Jim to let me borrow the spare Powerbook from the lab so that I can mess around with the camera and edit at home.

Rikki and I are in the midst of writing our second short stories for our 4000-level fiction class. I'm getting my first story workshopped tomorrow, and I'm scared. I like my second story so far; I just wish it wasn't due the week of my birthday. I'll be spending my birthday afternoon and evening writing furiously. And then going to Chelsea's to play bingo. Except now, if I actually win a game, I can legally accept the prize!

My party is Friday--it'll be the third annual costume party. The parties from the past two years were pretty enormous and wild, and considering the extensive invitation list, I'm assuming this year's party will follow suit. Highlight from my 19th birthday: Philip T. puking in the washer. Highlight from my 20th birthday: Ben lighting my dresser on fire via a broken glass full of flaming absinthe. Costume for my 21st birthday: a work in progress. But I'm shooting for "renegade mime."

I've just returned from the Chevron on Nicholson, where I purchased a Jack Daniel's "Lynchburg Lemonade"--one of those goofy, really sweet "malt beverages"--for two bucks. I instructed the cashier, a large, flaming black man, to card me; he retorted, lisping, with attitude: "I was gonna." I told him it was my birthday. He told me happy birthday on my way out. Which is ultimately what makes the whole thing official, I think.

The Jack and lemonade thing is pretty tasty. Except it just dawned on me: in my second short story from my 2005 class--the story that got published in Delta 2004--I had my silly high school characters mixing Jack and lemonade, because it was, like, the grossest thing I could think of. And it was supposed to show how silly and high school they were, mixing those two things together. And here I am on my 21st birthday, and this is my beverage of choice. What do you call that? A self-fulfilling prophecy? Bad taste?

I'm freaking out a little bit right now, because I have no idea what I'm going to do in the next year, and then for the rest of my life, and it's all coming up on me very fast, and I hate not knowing. But I have faith that it will work out, that something good will come up, and in the meantime, I'm going to push as hard as I fucking can in every direction that scares me most. And I hope that I don't settle. And I hope that you're reading this and remembering how terrified you were, and how alone you felt, and I hope that you've figured out what you want and have the balls to go after it.

I used to worry that I was smart enough but didn't have enough edge, or balls, or viciousness, or whatever the fuck I needed to drive me to be the best. Good has never been good enough. I've always loathed apathy and mediocrity, especially in myself, and have worried that I will end up being nice enough, and smart enough, and second-rate. But I'm starting to realize all the ways that I'm driven--maybe because as a kid, my parents set such insanely high expectations for me--maybe because my mother always seemed sincerely to believe that there was nothing, literally, nothing I couldn't do--maybe because I've internalized all of this--maybe because I still feel like I haven't hit the wall. But in spite of my slacker procrastination tendencies, I do, in fact, have the ability to be incredibly self-motivated, conscientious, disciplined, even organized. This has been a recent, startling, and pleasant discovery.

...Oh god, don't look back and regret it. Take a fucking risk.

--Ann

P.S. I wear size 4 bright green Converse All-Stars! And the left shoelace is rainbow and the right shoelace is pink with black stars!!!!

let's go shut it down

or jam-packed with excitement, if you will. but really i'm just tired.

i finished my first draft. it's fifty-five pages. i kind of hate it right now. it feels shallow and contrived. and ham-handed. maybe i should stick to prose. prose is subtle.

alanna's party thursday night: my neighbors (the bmx ones) were there. they're gossipy as old biddies. but friendly. they do a killer impression of my neighbor across the street. there was also a guy named nic at the party. he was kinda hitting on me. not in a gross way. i suppose if i had to pick a guy at that party to hit on me, it would have been him. weird, though. i must be giving off some crazy vibes or something.

meghan and i were talking about this last night. when you finally get to the point where you're actually enjoying being single--and not just because you're hardcore on-the-rebound--when you finally feel like really you could give a shit one way or the other if there was a guy hanging around you--that's invariably the point at which guys are calling you up. it's like, where were you people when this actually mattered?

not that it doesn't matter now. it's just annoying. because it only reinforces the notion that we tend to be interested in people who seem hard to get.

it's so hard to sustain. or impossible.

like right as you're getting comfortable with yourself someone else wants to be let in. and right when you're getting comfortable being split down the middle they leave you half-undone. and you have to start all over. and maybe you'll never be able to find that place where you were again. or maybe you will but it's hard to give it up.

or the way you throw two strangers together and they become friends and they become best friends and they love each other till they want to kill each other then they leave it until they come back and remember how it was good. but maybe only sometimes remember how it was bad. but it was both.

and that's okay. but maybe it would be nice if things could stay fixed. instead we're juggling all these relationships in flux. and when you reach out to grab hold of it you don't know what shape it's going to be.

have two people of the opposite sex ever maintained a long-term friendship without at least one of the parties developing romantic/sexual interest in the other?

it's such a soup.

i don't mind the mess. but sometimes it's a little bit mind-blowing.

this afternoon lennon snuck me into the centroplex, where he works, to see the harlem globetrotters. after he got off work, he met me back at my house for dinner. ross had some friends over next door: dave, elaina, alex, melissa...matt?

okay. so. matt knows elaina, melissa, and alex through the theatre department. matt, melissa, and i had a class together. matt had a thing for melissa, but melissa had a thing for this guy who is now dating elaina. elaina and her boyfriend are friends with ross, and i assume alex and melissa are also friends with ross. matt currently has sort of a little thing for alex. melissa and elaina both know lennon from high school.

i know lennon, matt, ross, and melissa completely independently of each other. but somehow all these people know each other and not because we're all mutual friends.

it gets better. ross decided at the last minute to go camping with paul, adam, katie, and karen. karen and ross used to date. lennon and i (who never dated but were best friends for a year and a half, when we were fifteen, and i was madly in love with him like only a fifteen-year-old can be, and he was equally madly in love with my other best friend julie, who was madly in love with lennon's other best friend patrick, who was dating our other best friend haritha) were leaving to go to serrano's for dinner. and karen pulls up to ross's house with the whole camping trip crew. and as it turns out, matt knows katie and karen through donna, whom he dated for a while, after donna broke up with cliff or was it jake?

then, when lennon and i got to serrano's, the women at the next table waved him over. apparently they work with him at the centroplex. so lennon exchanges pleasantries with them, and as we go to sit at our table one of the women asks him, loudly, "is that your girlfriend?"

lennon says, "not really." and the women are cackling, "oh my god, i've never seen him turn so red." if i had been fifteen i would have melted. but i'm not. so it was just sort of ridiculous.

he paid for dinner, which was sweet. it was really nice to see him today. he was one of my favorite people in the world for so long, and then we sort of lost touch--i probably see him every six months, we go get lunch--but it doesn't compare to the way it was when we were talking for hours every night over the computer. and i knew him better than anyone, and he knew me better than anyone. and when you get to that point with someone, and then you don't talk for a month--when you finally do talk, it's like you have nothing to say. because so much has happened.

like for so long with lennon (with so many friends that i've lost touch with over the past six years), the proper response to the question "what's up?" was "i'm eating a bowl of macaroni and cheese." or "my sister and i just got into a fight about the last dr. pepper." whatever minutiae of the day. whereas now the proper response to "what's up?" is the big stuff, like "well, i just broke up with this guy--his name is ben--we dated for four months--and he might have cheated on me, i'm not sure--" but really you can't even have a conversation about it because you'd have to tell it from the beginning, and you can't. so instead, when he asks "what's up?" you say "not much." it's a lie but what else can you say. everything or nothing.

but tonight he bought me dinner and we talked about books. and i used to know his sense of humor so well--but our conversations were mostly online--he lived in baton rouge and i lived in new orleans. we only saw each other for three weeks every summer at camp, and whatever short visit we could manage once a year. so i don't think i ever got used to his sense of humor in real life. it took me about an hour this afternoon, sitting with him at the centroplex, to realize he was deadpanning. he was always deadpan, even when we were kids, but it's different in person. or it seems different at first, and it threw me off until i made the connection. (is he joking? he must be joking. isn't this something we used to joke about?)

it was like suddenly i could see clean through to the middle of him. and all the things i had forgotten that i loved, not in the fifteen-year-old infatuation way, but in the way you love your friends for that part of them that is true. lennon who is a mess, who has been a mess since before i knew him, lennon the first boy who ever worried me. who is full of contradiction but still.

it is so good to know that in spite of everything, the unpredictable shifting tension of relationships, the bridges you burn or the friends you lose along the way and wonder how--

it's not that some things never change. lennon is not the same kid he was when he was fifteen. i knew the fifteen-year-old very well. i don't know this lennon hardly at all. but there's that moment of recognition, when you think "oh yeah, this is why we were friends."

it doesn't mean that things can go back to the way they were. but moments like that give me something to hang onto.

um.

i'm done with school. for the forseeable future.

this is the first time in eighteen years.

i woke up with my stomach in knots. the same knots i've had all semester. it's 9:30 on a saturday morning and i can't fall back asleep.

i'm going to ballet in a minute because i don't know what else to do.

graduation:

may 20th, 8pm in the parking lot behind allen hall.

driving to campus to drop off my last library book, and feeling nostalgic. even though i'm going to be in baton rouge all summer.

when i walked up to middleton to return the book, there were three guys in front of hill memorial library--two trumpet players and a trombonist--playing pachabel's canon in D.

i'd just taken a two-hour nap. and it was twilight. i was wearing a green sundress with ties at the shoulders, and grubby flipflops, and bandaids on my toes where i'd gotten blisters from my dress shoes. they were playing pachabel's canon in three-part harmony and i was returning my last library book. and i seriously considered stopping in the middle of the sidewalk and doing a port de bras, or something.

i kept walking.

i was looking at my diploma folder thing. it's got Louisiana State University embossed in gold on the front. i thought: you know, i'm proud that my diploma says "louisiana" on it. and i'm proud to have been a part of the english department. dr. nardo gave me a huge hug when i got up to the stage. 

i'm glad i got to sit with my friends (rikki, stosh, eva) during the ceremony. i'm glad i graduated with two of my cousins. during the main commencement ceremony, they recognized the new "golden tigers"--alums from 1955. and my mom was born in 1955. which means my grandparents both graduated from LSU before then. and how ridiculous is it, that both my grandparents graduated from college? and my mom, and all her seven siblings.

now what.

i've slept for like two days.

now what.

dirty dishwater

thursday morning i was sitting up at louie's. it was 6am. people were coming in to start their day but i had not yet slept. instead i was rolling silver. and it was one of those surreal moments where you flash between realities: am i dreaming? nope. i work at louie's.

first i got a new job as a grant-writing/research assistant. the pay is good. it's only ten hours a week right now, but pretty soon it will be twenty, and i could survive off that paycheck. the managers at On the Border were "happy" for me but they didn't want me to quit. i agreed to work two shifts a week; i figured i could use some extra cash. my last day on the full schedule was a double: food running lunch and section nine dinner. section nine is the shittiest section in the restaurant; i only had five tables all night, and walked with a whopping forty-three bucks. when i went to pick up my tip-out from the food running shift that morning, damien informed me that the morning manager had forgotten to collect it. i thought: this is bullshit. i should just go work at louie's or something.

the thing is, even though the managers (who are very nice people, and i have enjoyed working with them) say that they're glad i've got a new job, a real job, etc, they are looking at me askance and kind of distant. and like i've cheated on them. it's like if you tell the person you're dating, "we should just be friends," and they say, "oh, yeah, that's a great idea, that's totally fine, you should so see other people" but then they look at you like you've betrayed them, and turn cold towards you, as if they're somehow justified. except On the Border is not my jilted lover. it's a corporate mexican restaurant.

so i got home from that shift, that shitty double, and nicole is sitting in the living room with her boyfriend and rachel and rachel's boyfriend and fred, the GM of louie's. and nicole looks up at me with a big smile and says, "wanna come work at louie's?" and i was like....ummmmm.....actually, yes.

so the next day i put in an app there for latenights three shifts a week, and then i drove over to OTB, where i left damien a note (in crayon, on the back of a Build Your Own Burrito order pad: Dear Damien, this is my formal notice...) saying i'd work my two remaining scheduled shifts and that was it.

this past wednesday was my last shift at OTB. i was closing front of house, so i was supposed to stay till everyone was done rolling their silver and cleaning their sections. i cleaned my section, flipped my chairs, and finished my sidework. karen was waiting for me at chelsea's. aaron, who was closing back of house, kept saying "clock out and come sit at the bar, have a margarita, we can just sit back while everyone finishes their work, blah blah blah" and all i wanted was to get out of there. finally dave, the working manager, took our cash-out and told me to have a good night. aaron was like, "no, she has to stay until everyone else is finished"--he's saying this as i'm walking out the office--and then he sticks his head out and yells "dave says you have to stay"-- (dave could not have cared less) so i hurried to the front of the restaurant when aaron wasn't looking--my heart was pounding--and pushed open the door and ran across the parking lot to my car. aaron threw the door open, calling after me, "friends off! friends off!" and i blew him kisses and shouted goodbye, goodbye..

what are they going to do, fire me?

grinning like an idiot all the way home, with elliott smith turned up and the windows down. it was one of the most exhilarating moments of my life. it was what graduating from college should have felt like, but didn't: free.

i think everyone should, at least once in their life, work a really shitty job, and then quit. it's a great feeling.   

what i learned about love when i was seventeen

from a letter to matt / christmas break '99

as far as the whole "i love you" thing goes--i don't know what my deal is. i mean, i know i like you. i more than like you. i don't know, i always thought love was this whole big mystical thing that, like sex, was reserved for marriage. true love and soul mates and all that stuff. i assumed it was a one person deal. i'm starting to reevaluate my thoughts on that, though. because, okay--honestly, i don't know how long this relationship is going to last. i don't know what's going to happen after graduation in five months--i don't know what's going to happen in one month--i don't know what's going to happen tomorrow. i don't see an end any time in the near future. i don't know where your head is, though. so we're taking it day by day, which is a good thing.

but alright, so say i decide that i love you--and we break up. according to my previous way of thinking, that would mean--what? that i didn't actually love you, i just convinced myself that i did--self-delusion--and that all of my past emotions were null and void? that's bullshit. and then in college, maybe i'll meet some other guy, and decide i love him--and we break up--and i meet someone else--and this goes on and on--and maybe love isn't just a one person thing--maybe you can fall in and out of it--but..i don't know, that sort of seems to cheapen it. it's much prettier to think, oh, i'll find my one true love. but realistically, it seems like that's sort of a silly way to think. because until i get married, apparently all i'd have would be...fake love, or something. and that's just depressing.

...i guess it would explain why i'm so hesitant to say "i love you." because to me, right now, it's like....huge. and then there's the whole "in love" thing--which is something entirely different--i can love you, and be in love with you, and they're not the same at all. i mean, i love my brother--forgive me for this analogy--i love my brother, but i'm obviously not in love with my brother. but then, i definitely have different feelings for you than i do for my brother. or stephen, or murray, or any of my other guy friends. but saying that i'm in love with you--i feel like such a stupid teenager--la la la, look at me, i'm seventeen, i'm in love--as if i have the life experience to know what the hell being in love is. as you well know, i've never had a boyfriend before, so i've got nothing to compare this to--

...so it's like, yeah, strong feelings, i like you a ridiculous lot--but now what? and i guess saying "i love you" is...this is sort of weird, but see if you can follow this--it's like, okay, well, i don't think we're going to be getting married any time soon, obviously, so saying it is like...acknowledging that sooner or later, we're going to break up.

...then, acknowledging that--basically saying "i love you at the moment, but in a few months from now this might all be over and i'll be thinking back to how stupid i was for saying this"--is not easy--

i know i've told you how hard it is for me to open up to people--there are very few people that i can just be completely comfortable with. it's this whole personality thing; i've always been like this. mr. allen told me i operate in a "safe zone"--i dance safe, i sing safe, i act safe, i live safe--i can't go out on a limb, i can't wear my heart on my sleeve--because if i don't put myself out there, then there's no risk of getting hurt. and i miss out on a lot of good stuff.

...so admitting that i love you is like, absolutely terrifying, because it's giving up control, acknowledging a dependence on someone else, and knowing that eventually i'm probably going to get hurt--not necessarily by you, but that's part of relationships, so at some point i'm sure it will happen...i think that's why i'm having such a hard time with this. so...um...be patient with me, i guess.

--------------------------------

from a letter, written but never sent, to jesse / december '02

Fuck you for leaving.
Fuck you for not coming back.

I don’t see why I have to be the inconsiderate one. I never accused you of anything. I expressed that I was upset, and explained why. Rather than bullshit me with fake apologies (yes, I think you’re full of shit and you won’t admit it—go ahead and be pissed at me for that, too) and dismiss my questions with yup and nope, why can’t you just say “Gee, Ann, I understand why you felt frustrated. I’m sorry I was tired—I even apologized for it last night. I’ve been unusually tired all week.” I can understand that. That makes sense, and that’s forgivable.

But instead you bullshit me and bullshit me and then finally give me this pissy “Well, I’ve been a little fucking tired.” Why do you have to turn it into how I’m the bad one? I never accused you. I never said, “Look, you fuck-up, you’ve failed me and you’re a horrible fucking person.” I just told you that I was upset with this thing that you did, that seems to correspond to a pattern of behavior, and then I asked you if you could basically see where I was coming from or if you thought I was crazy. I was asking for a conversation.

...Unfortunately we are unable to have this rational conversation. Instead you concede like a fucking martyr that you’re “sorry”—because you’re such a superior fucking person, because it’s so fucking easy for you to admit you’re wrong—even when you don’t think that you are—which I personally think is bullshit, and ridiculous. Sorry when you’re not for something you don’t think is wrong—way to be proactive. Way to solve the problem. That apparently isn’t even a problem.

...While we’re not at all on the subject, I just love how I’m the one who is supposedly so fucking randomly and obsessively jealous of all women when you are repeatedly informing me of yet another good female friend of yours who “is in love” with you or “wants to marry you.” For all my old crushes that you’re so jealous of—M___ K____ being a good example—and I’m sure you’ve had similar old crushes—I never claim that anyone from my past is still in love with me or wants to fuck me or wants to marry me. ‘How do you think that makes me feel?’ Fuck you and I hope you don’t get any sleep. And if you think you’re coming over here in the morning and typing on my goddamn computer, you’re out of your fucking mind.

-----------------------------------

letter to myself about ben / late may '04

...god he makes me so self-conscious. i don’t think it’s anything he’s doing. i think it’s that i’m so into him, in spite of myself, that i really want him to like me. and i’m terrified that he doesn’t, or that he won’t once he really gets to know me.

and yeah okay, sometimes he does sit there and judge me. audibly. which is obnoxious, and makes me bristle, and he can tell, and he always apologizes after.

so we talked about insecurities today, and i said some of this stuff, and he said something about how insecurities are “easy to banish” (which is a lie) and that if you pay attention to them they grow into all-consuming monsters (which is true. which i said. i said that i felt like my relationship with jesse got out of control when i started getting really insecure, and then the whole thing snowballed...)

...realized today that jesse’s insistence on my telling him why i was upset was a function of his own insecurity—because he always assumed it was about him. which it was, but probably never in the way he expected.

realized this because: when ben is upset, he does the whole sucking-inward thing, which may be similar to the feeling-insecure-and-retreating-to-banish type of thing that i do. and when he does it i sit there and assume that i’ve done something wrong or that he’s somehow otherwise dissatisfied with me and would rather be with someone else. which is how jesse must have felt. so it’s like: i would get insecure; i would retreat; jesse would get freaked out because he was insecure and misinterpreted the retreating. i think i knew all of this already. but it’s different seeing it from the flipside.

so part of me thinks that silence in this case is a good thing. because opening up would be like setting off pandora’s box. but then the other part of me is so frustrated. because i never keep my mouth shut. and stifling this stuff feels unnatural. and it’s just making me sit and dwell in silence on stuff that may have absolutely no basis in reality. so i’m torturing myself needlessly. maybe.

...i don’t want to sit here and be a part of something half-assed. partly because that’s not my style. and partly because i really like him. and i could be into this in a way that i’ve never been into anything before. and i don’t think this is going to be that kind of experience for him. and he says he doesn’t want unconditional acceptance and affirmation, that he wants to feel like he will be betrayed at any minute, but i can’t feign indifference. i’m not good at faking it. it makes me feel...well, it makes me feel like i’m feeling right now. which is heartsick and fucking frustrated.

...if the point is that we’re holding back so that the summer doesn’t hurt, then what’s the point of any of it, since he’s graduating in december and i’ll never fucking see him again anyway? it’s bullshit. holding back is wasting time. if we’re sitting here holding our hearts with one hand and shielding our balls with the other—we might as well have not started this in the first place. because it is going to hurt. so we can either enjoy it while it lasts, or we can do this half-assed bullshit. i choose the former. and i won’t stand for the latter.

the thing is, i don’t even believe him when he says it. i do think he’s holding back. i don’t know the reason. i don’t think it’s because he’s worried about the summer. but if it is, i don’t think he’s doing it on purpose. or that he thinks it’s the best way to deal with it.

fuck this. fuck being careful. fuck it.








how?

drawing blood from a rock

my aunt pattie drove me up to natchitoches at the beginning of my senior year in high school. my mom was out of town for work, so she couldn't take me; my dad, as one of the conditions for signing the permission form for me to go to lsmsa, had said he would not, under any circumstances, drive to natchitoches.

so aunt pattie, my godmother, my mom's eldest sibling, loaded up mimi and grandpa's car and made the five-hour drive. we talked the whole time. my mom says aunt pattie is like a dog with a bone. she's relentless. sometimes she's right. often she is inappropriate. my family thinks she's insane. she is a little insane. she always means well.

when i was in fifth grade, aunt pattie came over to our house to borrow something from my mom, it was something makeup-related, and my mom wasn't home but i showed her where mom kept her makeup stuff in the bathroom. when i opened the makeup drawer, aunt pattie gave a little gasp and started laughing. i asked her what she was laughing at. she pointed to a tube of something and explained that it was for a diaphragm. i didn't know what a diaphragm was. she explained that, too. my mother hadn't told me she used a diaphragm. she'd told me that they used the rhythm method. i felt like she'd lied to me. it turned into this whole ordeal where i confronted her about her 'lie,' very uncomfortably, and we had this awkward conversation about birth control. this is the kind of trouble we get into because of aunt pattie, who doesn't give a shit about anyone else's boundaries.

it's not so much that she's brutally honest as she is tactless and compulsive. on the drive up to natchitoches she told me a lot of stories about our family, things you could file under 'family secrets you never wanted to know.' some of it still sickens me to think about. nothing particularly illegal or immoral. just hard to hear.

there was this one story, though, about my uncle steve. he's the second-born, right between aunt pattie and my mom. there are eight kids total, and my grandparents were militantly strict. all of the kids felt compelled to sneak out of the house at some point or another to have a little bit of unsupervised fun. if they were caught and questioned, they lied their asses off. except for uncle steve. he stood straight up and told the truth, every time, and every time he got a beating for it. the other kids cringed to hear it and waited for him to learn his lesson. not the one about sneaking out. the other one, about lying when you get caught. but he never did. he just kept taking the beating.

aunt pattie said, "i guess it was noble, or something. mostly i thought stephen was stupid."

---

i, unlike my uncle steve, will lie to get myself out of trouble. i forgive myself for this by saying that sometimes the trouble you would get into by telling the truth is disproportionate to the delinquent act you performed. it is an excuse. i do not have the courage of uncle steve, who fucked around and accepted the consequences. also i am a terrible liar, and plagued by a pervasive sense of guilt even under normal circumstances. thus, as a cowardly, incompetent, guilt-stricken liar, i try to avoid any situation that might get me into trouble. i am, for the most part, a pathogical rule-follower. there is nothing noble about this, because it is entirely motivated by fear.

---

my car got totalled a few weeks ago and i bought a '99 corolla to replace it. it is my first car, the first car that is mine. the other one was in my dad's name. my dad had been making noise for a while about how run down the old corolla was. i thought maybe he would help me buy a new car. my mom isn't in a position financially to help me out at all. my dad, on the other hand, just bought an airplane.

so it's the day after christmas. michael and i are on our way to dad's house to open presents. at this point i'm not sure if i'm going to repair the old corolla or buy a new one. either way it's going to cost money, which my mom doesn't have. also, the night before, on the drive to new orleans, an eighteen-wheeler passed me on the interstate and threw a rock, which hit the windshield of the rental car. i heard the rock hit, and looked for a mark in the glass, but didn't see anything--but now, in the daylight--on the way to my dad's house--a crack about twelve inches across and curving downwards. i hadn't taken out the rental car insurance, because i'm cheap.

i walk into my dad's house and tell him about the windshield and he says, did you take out the insurance? and i say no. and he says, you just bought yourself a windshield.

he and michael babble on about how it's about time that i got a new car, the only thing dad liked about the old corolla was that it was so ugly he never worried about me getting carjacked.

and none of my christmas presents are car keys.

i realize that whatever happens with this car business, it is coming out of my pocket, and mine alone.

i cry for an hour. then i realize that i now have total control over what happens to my car. i cry for four more hours, but also tell my mother to stop talking at me about the car stuff, because it doesn't matter, because she's not going to pay for it, because she can't, and dad's not going to pay for it, because he won't. so i'll pay for it, so it's my decision. so just stop. and let me cry.

she says, i don't know, it sounds like dad might help.

and i said, no, he won't.

and he doesn't buy me a car.

instead, he is on the phone. he is offering advice. it's not the usual advice i get from him, like "garbage in garbage out" or "choose to be happy" or "the truth will set you free" or "you are emotionally scarring your brother for life." instead it's how to buy a used car, which is all i can reasonably afford. and it's not even 'how i think you should buy a car' but objective information on the process. what to say on the phone when you're cold-calling someone about an ad in the paper, questions to ask, what to look for, what to believe, what to avoid. the third time i called him, i asked him, "are you sick of me yet?" and he said, "no."

so he is on call, always picking up the phone on the first or second ring, always willing, always patient. when it comes time to ask this guy from the houston craigslist about coming to look at his car, my dad says to haggle with him over the price. i don't want to. he says, "it's your money, and your decision. if it were me, and a thousand dollars out of my pocket, i'd try to haggle. the worst he can say is no."

i tell him, "i don't know what to say. i'm scared." and he says, "let's practice."

we rehearse the conversation, and i feel sick, and i say, "i might cry."

he says, "and then--what would happen?"

i'm tearing up already. i don't know, what.

"your face would be wet. that's what would happen."

and he told me, you're doing the best you can do, or anyone else, you're doing a good job. if you keep on just like you've been, you'll be doing very, very well.

and i already knew that i didn't want him to do it for me. but i hadn't realized, until he said it, that i wanted reassurance. and coming from him.

at some point in the middle of everything i think i am grateful that i am being forced to buy this car myself. that this is part of being a grown-up and my dad is doing me a favor. it's good that i have to pay a $250 deductible towards a new windshield for the stupid fucking rental car. i have all sorts of backwards gratitude like this towards my parents. i'm grateful to my mom for being a working mom while all my friends' moms stayed at home and baked cookies. even though she was always too busy. i'm grateful to my parents for hiring a housekeeper from nicaragua, who kept me in her house like i was her own kid. who else gets that kind of opportunity to live between class and cultural boundaries. even though i hated it at the time. and in college i paid my own rent and my own bills. and hired my own moving trucks. other kids' parents pay their rent. other kids' parents help them move. but i do it myself.

other kids' parents buy them cars as graduation presents.

my dad gave me a hundred dollars cash for graduation. in one dollar bills. and that card about the mouse pushing elephants up a hill. that was for college. he left my high school graduation early. and then we didn't talk for four months.

i am grateful and angry.

mostly grateful.

or, i shove the angry part down and live with it.

finally i found my car, the '99 corolla. i bought it from this guy out in prairieville who had just gotten a new truck for his family. it was $5250, which put it within my 'comfortably affordable' price range, with low mileage, and a CD player. it hadn't been flooded in the hurricane, unlike the 2003 mazda protege they tried to sell me at lakeside toyota. it hadn't been bought at an auction by an auto broker. it had never been a rental car.

really my criteria was: an affordable, not-old corolla, with a CD player.

the guy i bought it from is a state farm agent named david. he is buddies with my uncle mike. uncle mike is my insurance agent, also with state farm. he and david are state farm best friends. uncle mike stayed at david's house for the hurricane.

but i didn't know any of this. i found the guy's ad in the sunday advocate, new year's day, and called him up.

when i went to david's house to sign the bill of sale, he told me he'd left the purchase amount blank. he explained that a lot of people claim on their bill of sale that they paid much less for their used car than they actually did. this saves them money on taxes for the car. i knew it already, the houston craigslist guy had told me, but i thought it was kind of sketchy so i didn't tell my dad about it.

david says, it's totally up to you. pretty much everyone does it. but if you tell me to write $5250, i'll write it.

and i hesitated. and i explained to him about being a pathological rule-follower. or, as my mom likes to say--although i really hate it--a weenie.

he said it was fine, and he wrote in the full amount.

so i called my dad afterwards and told him all about it and told him that david had offered to write in less but because i am pathetic i said to write the full amount.

and my dad was quiet for a minute.

and he said, "you told the truth. there's nothing pathetic about that. how much money would you have saved if you had written in '$1' for your car? maybe you would have saved five hundred dollars in taxes. but is your conscience worth five hundred dollars?"

he said, "i'd been wondering what you were going to do when that situation came up. you told the truth. you did the right thing. i'm proud of you."

i can't remember the last time my dad was proud of me.

what you get

last night at chelsea's after the show we were standing in that little hallway in front of the bathrooms on the bar side. saying how i liked meeting new people but right now it feels so tedious, the whole getting-to-know-you thing, which i think i used to enjoy.

but i feel like there are these fundamental things about me. there are themes. there are certain words. like: dad. anyone who knows me at all knows what weight that word carries. and i find myself making the face when i hear it--the face that means "my dad and i have a strange, strained, dysfunctional relationship (although right now it's going pretty well)"--but we haven't gotten to that yet, and that's not really a starting point, is it. you don't start with that kind of stuff. but it's so big. these things are pervasive. how can you understand me at all if you don't have the context? this is the value of old friends who already know. right now i feel like i don't have the energy.

so we're standing in front of the bathrooms and the people walking by and i say, "i hate explaining myself."

and karen says wait. and she gives me a hug. she says, "oh ann. it's just you seem stressed lately. and like you just now got really worked up."

and she says, "are you tearing up?"
and i say, "i have pms."
and she says, "well, you can't tear up because that will make me tear up."

so we stand there blinking.

i tell her how i went to highland earlier to work, and i didn't want to walk because it was cold, so i drove my car around the block but the parking lot was full, and so was tequila's, and i came back around to the front of the apartment but now all the spaces were taken because of fucking serranos, so i parked in the artful dodger front lawn, and walked in the cold, and set up my computer at highland, and realized that i'd left the papers i needed in my car. so i stamped my foot.

she said, "that's it? you stamped your foot?"

well yeah. that's what happens when i have pms and am full of rage.

we walk to my car and sit inside for a while with the heater on. and she tells me about going to katie and adam's new apartment, and how excited they are, and that it's good for them, because it's time. it's time and katie said that she's not sleeping at the old apartment anymore and those are the words that carry the weight because it means it's over. and she's crying a little in the car because she's got pms too and we are sitting there blinking.

she said why does it happen all at once? and this is a hard time in our lives. because change is hard. always always.

and i'm thinking about moving to new orleans and how it depends on where my friends are. and i'm counting the ones i see every day and realizing that the difference is in the friends i don't see every day but i see everywhere. the friends that mean: no matter what bar or coffeeshop i go into, no matter what night, i always know someone there.

and i'm thinking about barrett, how he's in pennsylvania without his coat on, and it's cold, so he's probably cranky. and he says he doesn't know if penn state is worth "giving up everything." but if he stays at LSU for grad school i will think he's a pussy. and i don't want to tell him that, so from now on i'm going to have to watch my mouth when we talk about it. because i understand that you want to be in a place where you're happy. but the difference is only hard at first. and you are resilient. and here's this opportunity. and it's time.

karen says: we need to get out of here. but it has to be break-all-ties. and i say yeah. if i'm going to go, it's got to be someplace new where i don't know anyone at all. and i thought it was because i wanted to start over. but it's because i don't want to choose.

i drop karen off at her car. she's hungry and there's no food at her house and it's too late for taco bell, or the line is going to be long, or something. i kiss her on the cheek and drive home.

at the light on may and dalrymple she calls me. do you maybe want to go to louie's? and i say of course, i'll meet you there.

at louie's we know everyone and all the waitresses hug me and richard cooks karen an omelette the size of her head. beki says there's no ticket so i leave her all the cash i've got (four bucks) and karen leaves a five on the line for richard. we sit outside with him and paul smoking and beki comes out and janey and this new cook talking about opium, and which dishkid got fired for smoking weed in the walk-in. i've got my pepperjack hash in a go-box and richard is making lewd comments about my breasts.

when we leave i ask her if she feels better.
i feel better.

this, this. this is everything. this is the everything i don't know how to give up.

that's a lie that's a lie i had a tea the other day you couldn't pay oh yeah.

i just rented RENT.

by myself, because i knew there was pretty much no one in baton rouge who would want to watch it with me.

i am not ashamed to confess i was inordinately excited to watch this movie.

five minutes into it:

in the play, angel says, "Life Support's a group for people coping with life / we don't have to stay too long."

in the movie, she says, "Life Support's a group for people with AIDS. like me."
and then to top it off, collins goes, "me too."

generally i think film is a more subtle medium than theatre, so i don't know what compelled them to use such captain fucking obvious dialogue.

and then, even with the idiotic dialogue, i don't think the movie would make any sense to someone who didn't know the play.

however, since i came of age on the late 90's high school theatre circuit:

i spent an entire summer playing the soundtrack off the piano in the living room and singing the harmony parts at the absolute top of my lungs, to michael's dismay (though his voicemail message is: "speeeeak." i'm not sure if he even realizes where that's from.)

i sang joanne to lacey's maureen, mark to her roger, in her swimming pool sophomore year

the RENT mixtape i made for cat and lisa, which cut into the middle of "stickshifts and safety belts," if i remember correctly, and then we were the first ones mooing in the balcony of the saenger and the actress playing maureen actually looked startled

NO DAY BUT TODAY written in sharpie on the rubber toe of my black converse
and the dance dedication of "la vie boheme" winding around the sides...

seven years later, having long since lost the CDs, i still remember both harmony parts to "what you own." not to mention the entirety of "today 4 u," which i never even liked.

(our akita--evita. you look familiar--like your dead girlfriend? they say that i have the best ass below fourteenth street, is it true?)

and i still teared up when angel died.

mostly, though, i felt full in my chest the way i used to when we sang together outside the cafeteria after lunch, or in front of the PAC before rehearsal, walking to baskin robbins to pay for ice cream with altoids, accidentally.

to be assertive

early on i decided here's what i like about living alone.

because when my roommates and i went to the grocery, rikki always picked blueberry jelly. we'd work our way through the jar and i'd think, thank god, next time we can get a different flavor. and she'd get blueberry again. and finally reid and i were like, look, how about something besides blueberry this time.

so when i moved to the tula street apartment in december, my first moment of this is going to be just fine was when i made my condiments-and-other-necessities grocery run, and i decided all by myself to go with the smuckers one hundred percent fruit black cherry preserves.

i just made myself peanut butter and jelly on a whole wheat english muffin. i still hesitate between spreading the peanut butter and going for the jelly. when i lived with other people i always rinsed the knife off between jars, because some people don't like it if there's peanut butter in the jelly jar. personally i don't care if there's peanut butter in the jelly jar. so why the hesitation? because i don't want the hypothetical people who might one day see my jelly jar to be disgusted?

fuck that shit!
i don't have to accomodate anyone else's jelly jar preferences.
that was lesson one.
lesson two is
how to rid myself of this phantom guilt?

so much love to come your way

i can't write this as a coherent thing
but i have to write it anyway because i want to remember
i wish i'd had a tape recorder.
i wish i could put it all in a letter and give it to every member of my family.

yesterday my mom called to tell me that ben's girlfriend is pregnant.
mom had been crying all morning about it.
they've been dating for three months.
he brought her to easter at mimi's.
no one knew yet.
she was playing with the babies and the little kids were whisperinging about her three tattoos.
ben just started chiropractor school in houston and has three years to go.
mimi told mom she didn't think they were getting married
but they were moving in together in january
and no one is too sure whose baby it actually is.

i was riding to lunch with brett and josh and this kid mark and i wondered aloud: what do you say to your cousin who's just knocked up his girlfriend? and they asked me how old ben was, and i said, "my age." and josh was like, "well, i mean, he's old enough to handle his shit." and i said, "yeah, i'm not worried about him not doing right by the baby's mama...i'm worried about him doing more right than he needs to."

all day i thought: undo it. "maybe if ben explained to her that he didn't love her, then she would give it up for adoption or have an abortion." my mother actually said that. and i thought about it. and what if she did it on purpose. and this is something forever that you can never undo.

when i called him he didn't pick up, and i didn't know how interested he was in talking to me, or any member of our family, but i said in the voicemail message: 'hey, it's your favorite cousin. calling to check and see how you're doing, call me if you want to talk, i love you very much.'

my mom called to ask if i'd talked to him yet, and i said i left a message, and she said, "did you tell him that you knew?"

and i was like, yeah, mom. i left him a message that said 'it's ann and i'm calling to tell you that i know. so i just wanted to tell you. that i know.'

and i said i wished he were in baton rouge instead of houston so i could take him out for coffee, and she said, "he is in baton rouge, he's sleeping at shannon's," so i got aunt shannon's home number and left a message with leigh. and ben called me today even though i didn't think he would. and we went to highland. and we talked for three hours.

i said "so what's going on" and he said "not much how bout you" and he said "i guess you know, huh"

he said

they've been dating three months
it's definitely his
he's going to finish school
she didn't go to college
she works at the apartment complex where he's living
they're going to move in together in january and they'll get a break on their rent
the relationship will continue one day at a time just like any other relationship
ideally things will work out between them and they'll eventually get married and move to new orleans
but if it doesn't work out he'll still be part of the kid's life
and since he and ashley are going to be linked for the rest of their lives because of this baby no matter what
he figures they should establish a good working relationship
but if worst case scenario they end up hating each other and she doesn't let him see the kid
he'll still be supporting the kid till he's 18
and that's how it's going to be
because that's how it has to be
and that's what's right
and he is going to do the right thing
because that's the only thing to do.
and the rest of the family can talk how they want
and they might be embarrassed
and they might not want to talk to him
or about it
and they can go fuck themselves
and he doesn't care
but he told mimi and grandpa to their faces
and they said they loved him
and grandpa said get married
and mimi said don't necessarily get married
but finish school
and they said they loved him
aunt kay was there
and aunt pattie
and they all cried
ben cried
he said his mom has been supportive
and also she said it was a tragedy
and ben said no
and she said well excuse me but i can't exactly bring myself to celebrate
and get excited about baby names
and don't think that i'm throwing her a shower
and he said excuse me but
you are insulting me
and you don't have to celebrate
but this is not a tragedy
and showers are to help the parents and give things to the baby
and to say you won't have a shower
is to say that you won't help me or give things to my baby
and if i'm embarrassing you
then i won't come around, fine okay
and she said is that a threat
and he said no
but
there are two ways for me to look at this
positive
negative
and i'm choosing to look at it positive
and you
you are not helping
he said he has to walk away from her sometimes
and she said something about abortion
and he said to me that he's learning things about his mother that he didn't know before
and i said to him that she will continue to say things
but don't let them stick
because everyone's emotions are running high

he said maybe he shouldn't bring ashley to meghan's wedding because she'll be showing
and i said well you don't want to take away from meghan's big day
but on the other hand, the not-normal thing would be not to bring her to the wedding
and maybe that makes some kind of statement you don't want or need to make
and the worst thing you can do in this family
the unforgivable sin
is not to participate
and ashley will be a part of this family forever now
no matter what happens between you
so if you can bear it
until and unless it becomes damaging
or more damaging than usual
come around
because everyone will get used to it
they talk a lot of shit but they can get used to anything
but if you act like you don't want to be a part of the family
they'll never forgive you

i was thinking at lunch, before i talked to him,
how babies are happy things
this is a happy thing
about a baby
it's just the sudden narrowing and the slamming doors we're all hearing
like a death or an ending
and ben said he's insulted too by the 'oh poor ben'
he said what's the word
he looked at me for the word but i didn't have it for him
he said 'faith. no one has any faith in me.'
i said we all know that you will do the right and responsible thing
it's just how young we are and the idea all the aunts and uncles have that our lives are still full of possibility
and he said i know this will be hard
this will be harder than i can even know right now
but i don't have aids or cancer
and i will finish school and have a career
and he said how aunt shannon told him it's nice to have nice things
and he said to me
just because you can't have nice things doesn't mean you can't have things
and i said how yes it will be hard
but we're all coming to this first big crossroads
big change
and it's hard for everyone no matter what
and this just happens to be the form that hard for him will take
and how babies are happy occasions
and how phil described fatherhood to me as 'the most intense relationship i've ever had with another person'
and that it's exciting
and he said you know when she told me
i thought about abortion too
and after the shock and the tears
you know what i thought about
i thought about granny
what would granny think
and i saw her
and she was smiling

mimi said to him when he was leaving
she put her hands to her face
she said
great-grandmother.

and sometimes it takes astonishingly little to make me happy

i just got back from jordan's. we played the game of life.

i think i'd only ever played it once before, at jennifer j's house. we were probably in sixth grade. i remember it being kind of boring. when you're a recent college graduate surrounded by recent college graduates and about-to-be college graduates, it's not such a light-hearted game. my lesbian partner alicia and i were in debt most of the time. debt is so hilarious and fun. especially when you're actually in it. like in real actual life. it's funny like car insurance.

on sunday i went to breton's house on the west bank. she was having a graduation party. her mom got a cake that said 'good job, breton.'

clint and jesse were there. i played the piano, like i always do, which makes breton's family inordinately happy. breton wanted us to learn a song for the occasion, so we did 'three hits'--indigo girls, inevitably. (indigo women?) we got the harmony mostly right. we did the usual fiona repertory: love ridden, paper bag, i know, parting gift, oh well. when breton took a break to socialize with the party guests, clint and jesse sat with me and we mangled some ben folds (annie waits, boxing) and counting crows (black and blue, amy hit the atmosphere). breton came back and we did raining in baltimore, we rocked the fuck out, all of us at the tops of our lungs and it was amazing. the grown-ups came and sat around us and kind of stared. i think they find us quaint, the way we sit around a piano and sing old songs we love. we saved natural woman for last--i've started doing that on purpose, so at least everyone's sort of warmed up for the chorus, if not the bridge--i leave that to jesse. everyone sang along to carole king. everyone sings along to carole king.

at one point it was just me and clint and jesse lying on the carpet in front of the piano. 

all three of us graduated on time in may of 2005. it's been a whole year. i spent my year waitressing, bouncing between apartments, and writing grants. clint was a delivery driver for a while and i don't know what else; now he swings kegs for a living. jesse's in law school at tulane, so he spent half the year hurricaned in lake charles and just finished his first fairly miserable semester.

so we're lying there talking about i don't know what, life, and jesse said something about maybe going into therapy, he said actually the other day he thought about committing himself.

ordinarily i'd roll my eyes at a statement like this.

instead i told them how when i was driving in that morning for the party--i've got a lot on my mind, short-term about work and where to live, long-term about what to do before grad school and what to do about grad school and why am i not writing if that's what i say i want to do. on top of all this, i've been feeling kind of tired and sick and generally out of it--and driving, i felt like i wasn't really able to focus on the road. which probably isn't terribly safe. and what if i got into an accident.

wouldn't that make everything so much easier.

and sometimes i think that a lot.

and clint and jesse laughed. i knew they would. that's the only reason i could tell them.

none of us are doing what we want to be doing.
i don't think any of us know what else to do at the moment.
none of this carpe diem fucking bullshit, either.
i think i'm doing what i should be doing right now. but i don't know what it is that i want to be doing, now or five months from now or five years from now.
we're sorting it out.
it's scary and hard.

clint said laughing about our quarter-life crisis and i said it's no bullshit.
he said not to mention the
and i said yeah, the actual fucking tragedy of the past year?

anyway. not many people in my usual circle of friends have been out of school for a full year. it's a special sort of mindfuck. it was a relief to be around old friends who felt it too.

afterwards i drove to metairie, feeling alright, and glad to be home again. it's been a while.

then i pulled up to the house, my mom's boyfriend's car in the driveway and immediately that old tight feeling in my stomach, and remembered why.

i'll save this stuff for tomorrow, maybe.

here's the rest of it:

i work on oak street and our office is lovely and i like the people i work for. yesterday a guy from the neighborhood merchants' association came by to greet lynne and eric. he runs the oak street cafe; his name is brad. today i got lunch at the oak street cafe, a bacon egg and cheese sandwich on toast, and brad handed it to me and said oh, hello ann, i guess we didn't officially meet. i smiled and shook his hand and turned to leave, but he stopped me, he came back with a little bag and smiled and said thanks for coming in. and in the bag was a chocolate-covered glazed doughnut.

of all the doughnuts that currently exist in the world, chocolate-covered glazed are my favorite.

mckenzie's chocolate-covered cake being the obvious first choice, but c'est levee, as no one but a new orleanian could say.

i was ecstatic.

so i walked down to the rue, ordered a mango iced tea, sat at one of the outside sidewalk tables and had an egg sandwich and tea and a doughnut.

lagn
iappe.

a pack of wet letters

i cried a little when i read them.

then again, i also cried watching budweiser commercials on youtube the other day.

but really it was because of the new year's one. because sometimes all you can hope when you're feeling totally alone is that someone is thinking of you. and i was. and you were.

i laughed at party gras.
you drank a lot.
mom finally let my subscription--that subscription--run out, after five years. the thought of no more magazines sent to doody glanano filled me with a sense of loss that is hard to contemplate, much less describe.
i liked this because it's true and everyone knows it: i knew i had the Rentals on CD because i had borrowed your copy after we had broken ^[up] -- trying to rebuild that half of my CD collection that i had lost (although not actually mine) as one does after a breakup.
i laughed out loud for a while at this: so the thought i've had while rereading this letter is actually a question: "Do I always leave out so many words in my letters?"
you've done that as long as i've known you, and the whole time i was reading i was catching them and smiling.
i don't remember sitting in front of the lavilles.
i still listen to them. i take pauses so that i forget what's on them and then i listen to them and they fill me with delight, that's the only word for it, because all the songs have reasons and i remember. there are a few that are badly scratched but i've written down the track listings.
i knew why you were shaking, jackass.
i mean, to an extent.
you're not really a jackass.

i cried when i read the new year's one because i was overwhelmed with the feeling that nothing in life makes any sense. i don't care if it sounds trite. that's exactly how i felt. like the sky split open and we're falling through the cracks: nothing makes any sense: and everything i write and everything i think is towards trying to make sense o